I make jewelry the way I believe it should be made — one piece at a time, by hand, with stones I've often cut and selected myself. My work begins at the bench with raw gemstones and precious metals, and what emerges is something singular: a ring, a pair of earrings, a set of cufflinks that exists once and never again. I'm drawn to materials that have character — a spessartite garnet with a neon glow from its natural inclusions, an Afghan tourmaline rough from the 1980s that lights up when cut, a fossilized coral from Indonesia that carries millennia of quiet history. Every stone has a story before it reaches my hands, and my job is to give it a setting worthy of that story.

My collections range from nature-inspired designs — branch rings wrapped in rubies, apple blossom earrings, starfish studs set with sleeping beauty turquoise — to pieces with a bit of edge, like my skull cufflinks in black rhodium with sapphire eyes. I work primarily in sterling silver and 18-karat gold, and source stones from around the world: tourmalines from Africa, opals from Australia, lapis from Chile, sapphires from Montana. Whether it's a pair of saucer cufflinks with a client's children's birthstones or a cocktail ring built around a gem I've been turning over in my mind for years, every piece is personal. I believe jewelry should be personal — something you don't just wear, but that becomes part of how you move through the world.